• Professor Emeritus, Department of English, University of CT
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    • The Compact Bedford Introduction to Drama
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Lee A. Jacobus

  • Professor Emeritus, Department of English, University of CT
  • Biography
  • Books
    • Hawaiian Tales
    • The Romantic Soul of Emma Now
    • Crown Island
    • A World of Ideas
    • The Bedford Introduction to Drama
    • The Compact Bedford Introduction to Drama
    • Approaching Great Ideas
    • Aesthetics and the Arts
    • The Humanities through the Arts
    • Sudden Apprehension
    • Shakespeare and the Dialectic of Certainty
    • John Cleveland
    • Substance, Style and Strategy
    • Humanities: the Evolution of Values
    • The Longman Anthology of American Drama
    • Writing as Thinking
    • Improving College Reading
    • Literature, An Introduction to Critical Reading
    • Teaching Literature
  • Photographs
    • Connecticut Photographs
    • Egypt Photographs
    • China Photographs
    • Dolls Photographs
    • England Photographs
    • Holland Photographs
    • Ireland Photographs
    • New York Photographs
    • The West Photographs
    • New Gallery
    • New Page
  • Blog: Literature, Arts & Ideas
  • Poetry
  • Plays
  • Contact
  • Courses
  • My Books on Amazon
  • Adulterers in Paradise
  • Crown Island Chapter One
  • My Sister Was an Only Child
  • The Menehune
Graffitti-1.gif

Graffiti as Art

November 01, 2014

Graffiti as Art    

Graffiti is public art when it speaks to us in mysterious ways.

These patterned young women with their deep sea diver heads showed up on a wall in Prague. They represented a mystery then and continue to do so now. Each holds a small packet with the letters MRP prominently visible. 

It seems that the reference is to a brand of Tarot cards, which adds to the mystery. I have found this image to be endlessly fascinating because it has a visual distinction rarely seen on wall paintings in the street. The colors are powerful. Each individual figure is strong in her casual but assured stance.

Perhaps the most interesting thing for me is the repetition of the figures. This repetition implies a visual rhetoric similar to what is called ploce in poetry, a rhetorical figure that informs literature from classic times to the present. By repeating words, fragments, rhymes, and images, the artist magnifies the effect in immeasurable ways, whether in literature or visual art.

These five figures – literally a handful of figures – stand ready to engage the viewer in an aesthetic contract whose terms are inchoate, but visually palpable.

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